.MjE0MQ.MjI1Nw: Difference between revisions
Jump to navigation
Jump to search
(Created page with "This is not at all realistic and crossed out: might being very dark and subdued might be taken for a picture, but I think is crossed out: in certainly intended for a...") |
No edit summary |
||
| Line 1: | Line 1: | ||
This is not at all realistic and | [begin page 2 of 8] | ||
This is not at all realistic and being very dark and subdued might be taken for a picture, but I think is certainly intended for | |||
might be taken for a picture, but | a view out of a window at twilight. At one time the panes of the casement were put in but Rembrandt afterward painted them over. The table at which he sits has a dull reddish cloth which harmonizes with the rich red beams of the window frame. The man's dress is a very deep greyish green, almost black, the flesh very | ||
I think is | [end page 2 of 8] | ||
a view out of a window at twilight. | |||
At one time the panes of the casement | |||
were put in but Rembrandt afterward | |||
painted them over. The table at which | |||
he sits | |||
which harmonizes with the rich red | |||
man's dress is a very deep greyish | |||
green, almost black, the flesh very | |||
Revision as of 02:49, 15 October 2019
[begin page 2 of 8] This is not at all realistic and being very dark and subdued might be taken for a picture, but I think is certainly intended for a view out of a window at twilight. At one time the panes of the casement were put in but Rembrandt afterward painted them over. The table at which he sits has a dull reddish cloth which harmonizes with the rich red beams of the window frame. The man's dress is a very deep greyish green, almost black, the flesh very [end page 2 of 8]