heading in green ink: Description of the Portrait.

symbol in green ink: Ŧ The first notice I took of the Parma canvas was along with a very good photograph, without retouches, and, comparing the same with several others of the Dulwich, I felt a strong desire to become acquainted with the original, and has the presentiment that this should have been the true portrait of Philip IV painted by Velasquez. I had opportunity to examine a few days later the original canvas, and, as it generally happens, my impression was altogether different from that produced by the photograph. The coat, trousers, and sash falling at

symbol in green ink: Ŧ From Beruete.

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